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Friday, December 27, 2019
Tuesday, November 12, 2019
Monday, November 11, 2019
Cacophony: Hup Hup
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Cacophony: Hup Hup, Nancy Charak c. 2019 |
Thursday, November 7, 2019
Cacophony: Shadow Game
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Cacophony: Shadow Game, Nancy Charak c.2019 |
Sunday, November 3, 2019
Friday, November 1, 2019
Cacophony: Helikopter
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Cacophony: Helikopter, Nancy Charak c. 2019 |
Cacophony: Helikopter, drawing, watercolor on 22"x30" white 90# Stonehenge.
via Instagram
via Instagram
Thursday, October 31, 2019
Saturday, October 26, 2019
Tuesday, October 22, 2019
John Alan Nyberg, working watercolor.
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Sunday, October 20, 2019
Saturday, October 19, 2019
Cacophony: Craquelure
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Cacophony: Craquelure, Nancy Charak c. 2019 |
Cacophony: Craquelure. Watercolor, drawing on 22”x30” Stonehenge.
Saturday, October 12, 2019
Cacophony: Grassland.
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Cacophony: Grassland, Nancy Charak c.2019 |
Tuesday, October 8, 2019
Cacophony: Night Ride
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Cacophony: Night Ride, Nancy Charak c.2019 |
Cacophony: Night Ride. Pastel, collage, 22”x30” Stonehenge.
Saturday, October 5, 2019
Cacophony: Shoreline
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Cacophony: Shoreline, Nancy Charak c.2019 |
Cacophony: Shoreline, drawing on 30"x22" white Stonehenge.
Tuesday, October 1, 2019
Cacophony: Untitled Ink 2
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Cacophony: Untitled Ink No. 2, Nancy Charak, c. 2019 |
via Instagram
Cacophony: Untitled Ink No. 2, ink, prismacolor on white 90#--22"x30" Stonehenge
Thursday, September 26, 2019
Saturn at the The Art of Planetary Science
Wednesday, September 25, 2019
Cacophony: Crooked
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Cacophony: Crooked, Nancy Charak c. 2019 |
via Instagram
Cacophony: Crooked. Watercolor, drawing, collage on 22”x30” white Stonehenge. Nancy Charak artist
Cacophony: Crooked. Watercolor, drawing, collage on 22”x30” white Stonehenge. Nancy Charak artist
Tuesday, September 24, 2019
Cacophony: Techtonic Shift
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Cacophony: Techtonic Shift, Nancy Charak c. 2019 |
via Instagram
Cacophony: Techtonic Shift, watercolor, pencil on 22"x30" black Stonehenge.
Cacophony: Techtonic Shift, watercolor, pencil on 22"x30" black Stonehenge.
Monday, September 23, 2019
Cacophony Series: Elegy
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Cacophony: Elegy, Nancy Charak artist c.2019 |
Friday, September 20, 2019
Tuesday, September 17, 2019
Tendrils 1006, Accepted at Tubac Aqueous XXXIV
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Tendrils 1006, Nancy Charak artist, c. 2019 |
Accepted Tubac Aqueous XXXIV. Watercolor, pencil on 22”x30” black Stonehenge. Opening Oct 11, 5-7p, Tubac Center of the Arts, Tubac AZ, show runs ‘til Nov 17. Please come on by.
Wednesday, September 4, 2019
Untitled, Work in Progress
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Untitled WIP, Nancy Charak, c. 2019 |
Tuesday, August 13, 2019
Sunday, August 11, 2019
Thursday, August 8, 2019
Sunset Alvernon Park
Wednesday, August 7, 2019
Thursday, January 10, 2019
She Licked Her Brushes...
"What Anita Radini noticed under the microscope was the blue—a brilliant blue that seemed so unnatural, so out of place in the 1,000-year-old dental tartar she was gently dissolving in weak acid."
"It was ultramarine, she would later learn, a pigment that a millennium ago could only have come from lapis lazuli originating in a single region of Afghanistan. This blue was once worth its weight in gold. It was used, most notably, to give the Virgin Mary’s robes their striking color in centuries of artwork. And the teeth that were embedded with this blue likely belonged to a scribe or painter of medieval manuscripts."
Yes, a woman, worked as a scribe, as an artist on manuscripts or icons, with the most expensive pigment ever, lapis lazuli.
“A noble color, beautiful, the most perfect of all colors,” Cennino Cennini said of ultramarine, the pigment made from powdered lapis lazuli, in his “Book of the Arts,” written around 1400.
Until the late 18th century the only source of lapis lazuli in Europe, Asia and Africa was the remote Sar-e-Sang valley in the Badakhshan mountains in northeast Afghanistan, where it has been mined for more than six millennia.
Until the late 18th century the only source of lapis lazuli in Europe, Asia and Africa was the remote Sar-e-Sang valley in the Badakhshan mountains in northeast Afghanistan, where it has been mined for more than six millennia.
And woe betide the guy who suggested that this long deceased woman must have been the cleaning lady. Come on, women lick their brushes just as good as men.
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‘‘View of the Port of Livorno’’ (1601-1604), a table top by Cristofano Gaffuri from a design by Jacopo Ligozzi.CreditCreditUffizi, Florence |
Friday, January 4, 2019
After Camping in the Grand Staircase Escalante
The depositions and striations of the southwestern landscape seeped into my imagination after three weeks camping in the wilderness of the Grand Staircase Escalante. The entire Geologies Series will soon be up on rounderstudio.com.
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Geologies 9050, 30"x22" drawing on 140# Fabriano Artistico |
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Geologies 9046, 22"x30" drawing on 140# Fabriano Artistico |
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Geologies 9042, 22"x30" drawing on 140# Fabriano Artistico |
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