Tuesday, November 12, 2019

Monday, November 11, 2019

Thursday, November 7, 2019

Friday, November 1, 2019

Tuesday, October 22, 2019

Saturday, October 19, 2019

Tuesday, October 8, 2019

Saturday, October 5, 2019

Thursday, September 26, 2019

Cacophony: Caput Interrupted

Cacophony: Caput Interrupted, Nancy Charak c.2010
via Instagram

Cacophony: Caput Interrupted. Watercolor, drawing on 22”x30” white Stonehenge. 

Saturn at the The Art of Planetary Science

Saturn, from the Geometrics Series, Nancy Charak, c.2019

Exhibiting at The Art of Planetary Science, Friday, November 15--5-9p, Saturday, November 16--1-5p, and Sunday, November 17--1-5p, at the Kuiper Space Sciences Building, 1629 E. University Blvd, Tucson, AZ. Please come on by.

Wednesday, September 25, 2019

Cacophony: Crooked

Cacophony: Crooked, Nancy Charak c. 2019
via Instagram

Cacophony: Crooked. Watercolor, drawing, collage on 22”x30” white Stonehenge. Nancy Charak artist

Tuesday, September 24, 2019

Monday, September 23, 2019

Cacophony Series: Elegy

Cacophony: Elegy, Nancy Charak artist c.2019
From the Cacophony Series: Elegy. Watercolor, pencil, sgraffito, charcoal, pastel, ink on 22"x30" white Stonehenge.

Tuesday, September 17, 2019

Tendrils 1006, Accepted at Tubac Aqueous XXXIV

Tendrils 1006, Nancy Charak artist, c. 2019

Accepted Tubac Aqueous XXXIV. Watercolor, pencil on 22”x30” black Stonehenge. Opening Oct 11, 5-7p, Tubac Center of the Arts, Tubac AZ, show runs ‘til Nov 17. Please come on by.

Wednesday, September 4, 2019

Thursday, January 10, 2019

She Licked Her Brushes...

"What Anita Radini noticed under the microscope was the blue—a brilliant blue that seemed so unnatural, so out of place in the 1,000-year-old dental tartar she was gently dissolving in weak acid."

"It was ultramarine, she would later learn, a pigment that a millennium ago could only have come from lapis lazuli originating in a single region of Afghanistan. This blue was once worth its weight in gold. It was used, most notably, to give the Virgin Mary’s robes their striking color in centuries of artwork. And the teeth that were embedded with this blue likely belonged to a scribe or painter of medieval manuscripts."
Yes, a woman, worked as a scribe, as an artist on manuscripts or icons, with the most expensive pigment ever, lapis lazuli. 
“A noble color, beautiful, the most perfect of all colors,” Cennino Cennini said of ultramarine, the pigment made from powdered lapis lazuli, in his “Book of the Arts,” written around 1400.
Until the late 18th century the only source of lapis lazuli in Europe, Asia and Africa was the remote Sar-e-Sang valley in the Badakhshan mountains in northeast Afghanistan, where it has been mined for more than six millennia.
And woe betide the guy who suggested that this long deceased woman must have been the cleaning lady. Come on, women lick their brushes just as good as men.

"But art experts were still skeptical. Some dismissed the idea that a woman could have been a painter skilled enough to work with ultramarine. One suggested to Warinner that this woman came into contact with ultramarine because she was simply the cleaning lady."

‘‘View of the Port of Livorno’’ (1601-1604), a table top by Cristofano Gaffuri from a design by Jacopo Ligozzi.CreditCreditUffizi, Florence

Friday, January 4, 2019

After Camping in the Grand Staircase Escalante

The depositions and striations of the southwestern landscape seeped into my imagination after three weeks camping in the wilderness of the Grand Staircase Escalante. The entire Geologies Series will soon be up on rounderstudio.com.
Geologies 9050, 30"x22" drawing on 140# Fabriano Artistico

Geologies 9046, 22"x30" drawing on 140# Fabriano Artistico

Geologies 9042, 22"x30" drawing on 140# Fabriano Artistico